Contemporary & Traditional Indigenous Art

Cara and Diego Romero: Tales of Futures Past brings together the distinct yet deeply intertwined practices of photographer Cara Romero (Chemehuevi) and ceramic artist Diego Romero (Cochiti
"The Armor We Wear" and "Spirit House" are on view at 516 Arts in downtown Albuquerque (ABQ) through January 2026. Walking across the University of New Mexico's campus we glimpsed the promotional poster for Winnebago/Choctaw artist Chaz John's aluminum sculpture and painting in the "Spirit House" exhibit.

Harmony DeVaney is a Washington State based Inuit (Iñupiat) artist. The collection “Flying Inuit” is based off of a traditional blanket toss.

The Lower Elwha Klallam Tribe will host the Intertribal Canoe Journey from July 31 to August 5, marking their second time hosting this significant annual gathering of Northwest Indigenous canoe cultures since 2005.
Hailing from the proud Lummi Nation, DJ BIG REZ has dedicated his life to mastering the art of music and uplifting communities through his rhythmic talents. Known not just for his skill behind the decks, but also for his deep commitment to the Northwest music scene, BIG REZ’s journey is a compelling tale of passion, dedication, and cultural pride.
The 20th Annual Vine Deloria Jr. Indigenous Studies Symposium was scheduled for May 22-23, 2025, at Northwest Indian College on the Lummi Nation, marks a significant milestone in the ongoing celebration of one of America's most influential Indigenous intellectuals.
Louie Gong (Nooksack) (M.Ed.) stands as one of the most impactful Coast Salish artists, activists, and social entrepreneurs of our time. His extraordinary ability to unite communities across cultural divides has established him as a transformative force in Indigenous business and art.
In the serene landscapes of the Pacific Northwest, where cedar forests meet the shimmering waters of Puget Sound, Kevin "Wa lee hub" Paul stands as a monumental figure in contemporary Coast Salish artistic expression. Born in 1960 and having spent his entire life within the embrace of the Swinomish community, Paul represents the living embodiment of cultural preservation through artistic practice —a journey that began shortly after his graduation from La Conner High School in 1979 and subsequent studies at Skagit Valley College.
In the verdant landscapes of the Pacific Northwest, a profound artistic lineage finds fresh expression through the hands of Nakesha and Nakiya Edwards. The identical twins, members of the Swinomish Tribe, represent an emerging generation in the rich continuum of Coast Salish aesthetic tradition.