Coast Salish

Imbued with a sense of rich tradition, nuanced storytelling, and inventive artistic techniques, Coast Salish art beautifully encapsulates the cultural heritage of the indigenous peoples hailing from the Pacific Northwest Coast of North America. While sharing some geographic and cultural commonalities with their northern neighbors, the Coast Salish peoples have developed an aesthetic language distinctly different from the form-line art of northern tribes, such as the Tlingit and Haida.

The artistic lexicon of traditional Coast Salish art embraces a flowing and somewhat minimalist geometry. The art forms are frequently characterized by the use of elements such as sweeping lines, concentric circles, crescents, and ovoids. The works often depict representations of the natural world—animals, humans, and landforms—in a less abstract and more lifelike manner than is common in other Northwest Coast artistic traditions.

In the contemporary realm, artists are innovating on these foundational aspects while responding to modern contexts and incorporating new materials. For instance, acclaimed artist Susan Point has been instrumental in reviving and redefining Coast Salish aesthetics. Born into the Musqueam First Nation, Point has navigated a path of artistic exploration that weaves together ancient Salish designs with her own modern, personal interpretations. Her work, ranging from delicate jewelry and prints to large-scale public installations, has pushed traditional forms into new territories and garnered international recognition.

Furthermore, contemporary Coast Salish artists often reflect on themes that resonate with the current indigenous reality. They navigate the dual nature of their existence, staying rooted in the past with their rich ancestral heritage while responding to the present-day challenges of colonialism, industrialization, and environmental issues. This combination of tradition and innovation, memory and prophecy, imbues their work with a vibrant relevance that continues to captivate audiences. The legacy of Coast Salish art is not only a testament to a storied past, but also a living, evolving expression of indigenous identity and resilience in the modern world.

Brian Perry is a S’Klallam artist practicing his traditionally inspired works in both time-honored and contemporary ways and materials. Brian’s work includes everything from drums, rattles and masks to large carved relief panels, totem poles, metal sculptures and Northwest coast canoes.
By Deanna Lane, 21 August, 2023
On a smokey weekend at Waypoint Park in Bellingham, WA, Indigeversal Collective installed a massive 160 foot mural at the entrance of the park. On August 18-20, a team of extremely talented artists from Coast Salish to Cherokee origins spent 3 days painting in the Coast Salish and form line design styles associated with Pacific Northwest tribal nations.
By Deanna Lane, 11 August, 2023
We share some of our favorite highlights from Stommish at Lummi Nation this year. Always enjoy the creative offerings from Jason LaClair, Creative Cuzzin, Copper Canoe Woman and SiLowLeetSa Arts throughout the year.

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https://www.safiuchi.com/

Multi-Cultural Painter best known for expressionist paintings and also recognizable for their layered thick brush strokes and bold colors with Black and White in every piece. Safiuchi continues to paint with the spirit to heal scratches by bringing awareness to people through causes and humanity in cultural communities.

https://www.fridayglass.com/index.html

Daniel Joseph Friday is a Native of the Lummi Nation and a lifelong resident of Washington State’s Puget Sound region. Drawing from cultural themes and using modern processes, Friday’s work is contemporary in format while maintaining basic Native American qualities. Dan has spent the past two decades working with artists such as Dale Chihuly, Paul Marioni, and Preston Singletary. Friday lives in Seattle, where he maintains an independent glass studio.